Geordie II

 

 

 

 

 

 

 

 

 

 

 

 

 

All photos ©2001 A. Durieux
All rights reserved

 

 

Newcastle, March 1980 -- Brian Johnson, Dave Robson, Dek Rootham & Davy Whitaker take the stage at Heaton Buffs Club for what is to be one of their last performance together. Within a week Brian would find himself in London to auditioned for AC/DC, and a few days later he received the call that changed his life and ended the career of Geordie II.

Newcastle, October 2001 -- As I sit down watching the same four guys rehearsing on that same stage, it's hard to realize that Brian has been in AC/DC all this time and become part of this gigantic band. Of course he now has quite a few more bucks in his pocket than his former bandmates now but the camaraderie is still there - jokes are flying, Newcastle Brown is flowing...

This Geordie II reunion was quietly announced recently and it was a rare & unique chance to witness Brian perform in such an intimate environment after the Stadiums he played this Summer. Not wanting to miss this I crossed the Atlantic for the last 2 shows at South Shield Cellar Club and Heaton Buffs. Besides the first concert at the Opera House in Newcastle on September 28th, the rest of the gigs played took place in small clubs around Newcastle which they used to play between 1977 & 1980. The Geordie line-up playing these dates is the third Geordie incarnation, with Brian on lead, Dek Rootham on guitar, Dave Robson on bass and Davy Whitaker on drums. This line-up also recorded a few tracks in the late 70's - "Rocking With The Boys" (which was performed during those gigs), "Treat Her Like A Lady" and "Going To The City" are the only ones that got released.

Arriving at South Shield's Cellar Club on the coast of Newcastle a bunch of the die hard DC followers were already present, and meeting me there was Terry Slesser, manager of the club, and former singer of Back Street Crawler. Terry had actually been on tour with BSC when AC/DC supported them on their very first British tour of 76, and was a contender for the job to replace Bon in 1980 along with Brian. Coincidentally he ended up taking Brian's place as singer of Geordie II! What a small world... This was the Cellar Club's reopening after a few years being closed and they were still painting the walls the morning before the gig. Upon his arrival Brian received many birthday greetings, as this was his 54th birthday on October 5th. Brian took the time to talk to everyone and sign a million autographs - always the nicest bloke, not a surprise to anyone who's ever met him.

Geordie took the stage in front of a packed club - OK it holds only a couple of hundred but that's the whole point! Their set was deliberately the same the band played the last time they'd performed live in 1980. In those days Geordie only had a couple of original tracks in their set, and mainly played covers, arguably a necessity if you wanted to get booked in those days. The following set list was played for the 5 dates they performed on this tour:

· Lady (Put The Lights On Me) [Brownsville Station]
· We Gotta Get Outta This Place [The Animals]
· Since You Been Gone [Rainbow]
· Geordie's Lost His Liggy [Geordie]
· This Flight Tonight [Nazareth]
· Blaydon Races [Traditional]
· Bring It On Home To Me [The Animals]
· Hold The Line [Toto]
· Rockin' With The Boys [Geordie]
· Black Dog/Rock And Roll [Led Zeppelin]
· Doctor Doctor (Bad Case Of Loving You) [Robert Palmer]
· Warming Up The Band [Head Hands & Feet]
· Don't Let Me Be Misunderstood [The Animals]
· Feels Like The First Time [Foreigner]
· Dannie Boy [Traditional]
· Wrong Side Of The Law [Geordie]
· Can You Do It/All Because Of You [Geordie]
· 2-4-6-8 Motorway [Tom Robinson Band]
· Be Good To Yourself [Frankie Miller]
· Whole Lotta Rosie [AC/DC]
· Encore (Changed at each gig, played a song listed above)

It was quite interesting to hear some of the tunes that you certainly wouldn't expect from Brian (Foreigner, Toto, Robert Palmer) Some of those were introduced as "You had to play this one in those days or you just wouldn't be booked!", or "This is another puffy song, but we had to do it". Highlights of the set were clearly the Zep & Animals tunes, the few Geordie originals and "Whole Lotta Rosie," which was part of the set Geordie played back in the days. The renditions of Led Zep were remarkable, a perfect match for Brian's voice. Nice to hear some Geordie tunes live, specially the traditional Northeast"Geordie's Lost His Liggy." And I have to mention this - in the middle of this track I got my 15 seconds of fame when Brian called me on stage for everyone to witness that someone actually came all the way from New York for the show! I was warned beforehand ("You're the one coming from New York? You're going on stage tonite me son!!" he told me when we met) but didn't think he was actually going to do it - doesn't get any better than this for a fan, thanks Jonna!

He certainly seemed to be enjoying himself immensely, and talked more in-between tracks than he does with AC/DC, cracking jokes and felt very much at ease in front of these local crowds, quite different from what he's used to with DC Despite very little time to rehearse and after 20 years not playing together the band was very tight and in place. Although it was rumored that some guests would join Brian on stage that night the only one who came up was Terry Slesser to present a birthday cake to Brian, that of course ended up on his face a bit later...

Two days later after a short trip to Scotland (where it rained for two days) I was back in Newcastle at Heaton Buffs club just in time to catch Brian & the boys rehearsing and sat down with them for a few beers.

Why this tour & why now?
Brian - Well, we talked about it about 2-3 years ago in a pub after a few beers, and it stared to sound better & better the more we talked about it so we did actually do it. We said, let's finish the AC/DC tour and come back and do it. And it's good and I hope I can do it again because it was so much fun, cause guys like you, and all the Swiss guys, and all the German guys, and all the English, you know Carl and Darren, you know them all.
Dave Robson - Well I can't believe people like you flying from New York City to see this band, I can't believe people from Ireland coming to Newcastle to see us!
Brian - He was the star of the night when he got up! ah ah ah I hope I didn't embarrass you!
No no, I'll never forget that!
Brian [talking to a local]- Hey Dick ye alright me son? [Geordie talks... Can't understand...]

Brian - See, you gotta understand these working man's clubs, they serve the cheapest beer, because it's nonprofit, it's just for the working man, unfortunately, years ago some of them were like dictators, you know, they have a committee that runs them, and then they have a head committee man, and these were like dictators in the early days. So when you came in, like four guys doing music, they couldn't understand why you should be paid money cause they're all minors, steelworkers .. and they look at you like you're the devil. But they brought their wives on Friday and Saturday nights for what was called "the entertainment." They don't let women in here...
Dave Robson - They wouldn't let women in the bar, they got them serving behind the bar but that's all.
Brian - But you can see, look around you.. These people are coming here and sittin' here... Can you imagine how alien it must be to someone from New York, cause there isn't anything really like this... You know you got your Veterans of foreign war this kinda clubs, but they're usually happening joints, but here it's like... but it was worse then cause they were all stronger, a lot more powerful but then all the worker's gone. You see all these guys, middle aged some of them, they're unemployed. They're not working, it's Monday, they should be working, but these guys just don't have jobs.

Is this the kind of clubs you used to play?
Dave - Yeah
Brian - This was one of our favorite ones, Heaton Buffs was the best club because they had gigs on Friday, Saturday, Sunday and Monday. And then on a Wednesdays - they were really forward thinking, and the concert hall upstairs as you can see was actually designed for bands. Some of the other ones, you wouldn't believe, some of them you'd walk on a stage, and part of the room would be up there [showing on the left], and the other part would be there [showing the right side], and you'd be playing to this corner! Y'see it was good cause you served your apprenticeship didn't you, you learned, you learned how to work a crowd, you had to! You couldn't just stand there, because the boredom level would just... silence stages... You see we got by at it cause we were funny, we were very funny, we used to make them laugh. And that was the only thing we could do, because we played rock & rock, those songs that you heard.

It's the same set you did back then?
Brian - It's exactly the same set. It's fun songs you know, underneath it all everybody had a passion and a burning desire to write their own songs, but they didn't want to hear them. You could be finishing one song, "Since You been gone" and they'd be all dancing, and "here's a song we wrote". [Miming dead silence.]

 

NEW GEORDIE II RECORDINGS

Brian & Geordie were approached to participate to a project designed to collect together the vast number of roots and folk song from the North East of England, documenting the industrial history of the region as well as the traditional songs of love, loss, and humour which abound in this part of the UK.

The songs will collated onto a boxed set of 20 CDs, each devoted to one of the small but distinct regions within the NE corner of England, and will be distributed, free of charge, to schools, colleges and libraries across the entire North East, with the intention of keeping alive the unique cultural identity of this small part of the world, and passing it on to succeeding generations to whom an industrial culture is rapidly becoming the subject of history, rather than a living tradition.

The tracks: Brian and his 'homies', Geordie guitarist Dek Rootham, and bass player Dave Robson have got together with Anthology producer/arranger Jed Grimes to tackle two songs from the NE UK tradition:

a) "Byker Hill". "Byker Hill and Walker Shore Collier lads for evermore..." So runs the chorus of this Geordie anthem-a rallying cry to the work-force who shaped the region until only 15 years ago-traditionally sung in a lamenting, almost sentimental fashion, Brian's fiery vocal, and the hard rock guitars/bass/drums of the band turn this song with its wry, sardonic verses describing the life of the Tyneside working man, into a celebration of regional identity: it's funny, defiant and rabble-rousing: a real stadium-shaker!

b) "Wor Geordie's Lost His Liggie" Geordie humour has always thrived on double-entendre and a kind of vaudeville 'cheeky' style of word-play. In this old street song, a 'Liggie' is in fact, a local dialect name for a marble, as in the game of marbles: 'Penka' and Muggle' are regional variants on the theme. This song was recorded originally recorded by Geordie back in 1973-this brand new recording owes its spontaneous, 'lads in the pub' feel to the fact that the guys laid it down 'live' in the studio control room, complete with interruptions from the band, and Brian's own whacky asides in between verses. As said above, this song is about the innocent kid's game of marbles: any other interpretation is strictly in the mind of you, the listener!

The Northumbria Anthology boxed set of 20 CDs will be issued in mid November, and is launched via a concert on November 8th at Newcastle City Hall (Brian will not be able to attend the concert). Two CD's will also be offered for sale before Christmas and one will include both Geordie tracks. Although initially only available in the Northeast a national distribution should evolve next year, with profits funding more work by the Anthology.

Thanks to Jed Grimes

 

That's why you didn't play more Geordie songs?
Brian - Well, the ones they knew, they were quite famous from the first Geordie. And I'm still quite amazed, I mean my nephew, he's 24, and he said "I fucking love that song, they're fucking great!" Cause he'd sort of heard them when he was a kid but he'd never heard them anymore and he just said "I've heard them on record but live they're rocking." I said cause this band's better than the first one that's why, easy to explain!
[Brian starts talking about a local newspaper which printed a pack of lies in an article over the weekend]
Brian - The pigs, it's just the local press, they got no stories so they jump all over you. One minute you're great the next minute you're not, and "who do they think they are?" That's just horrible. The paper wrote something on Saturday about saying we should've done more clubs and.. I haven't got time, and the guys have to rent all the equipment, and I'm doing it for the boys, I'm not doing it for me - I came here, paid my own fare, I can, I'm very lucky, but it's turning into something ugly and bad when it's a nice thing, just because of a club that got pissed off. We can't play all the clubs - I'm only here for two and a half fucking weeks, and I gotta see my family! That's just stupid you know, makes me so angry. But we're doing these clubs, these clubs treated us well, and the other ones didn't, they were nasty.

Is this what happened at the Central Club? [The scheduled gig of Oct 3rd that got pulled]
Brian - The thing is, we only played there once, and the idiot wanted to say yes, there's tickets on sale but no you can't get in. Now you're seeing these guys let you sign in, now this man just went in, "No, you gotta be a member", now he knew he could've just let the guy sign in, but he didn't let any foreigner in the club, he's an idiot. He's an out of work man, who just sit behind a desk, they don't get paid for it, but their club is their domain. Saw these poor guys, 40 of them, couldn't buy tickets! And Dave went in and checked and said "why aren't you advertising this gig?" "We don't want any people from other countries." Even people from Newcastle, they wouldn't let them in, they just wanted local people. He said "How many tickets have you sold?" "30." Its a tiny little village, there's no work there, they can't afford to come in and see us, so the boys can't afford to hire all the equipment which is 500 pounds a night to get 200 pound in a club and have to pay 300 pound to play to 30 people - forget it! You gotta let people in and let them buy ticket otherwise you're in a no win situation, but they're idiots.
[A joke circulating was that apparently Brian had called them to cancel and was told "You'll never work in this club again!"]

Is this something that you think maybe AC/DC will do one day, a club tour?
Brian - Well you know, one of the best gig we did last year was in Atlanta, we played the Atlantic Conference in a small Ballroom in a hotel. We just stuck it in, they invited us, it was our day off really, so we said yeah cause we'd played Atlanta the night before and it was absolutely... We just played about 8 o'clock, we did 30 minutes, 5 songs. And you know what? Mal & Angus coming out "Fuck, that's what it's all about isn't it!" I mean the sound was fucking great. It was just for Atlantic executives & everybody else who works there, about 500 people and we got on there and we just fucking rocked the joint. It was brilliant and you could hear everything, we're standing touching shoulders you know cause it was a tiny little stage, we got "fucking yeah!" It was brilliant, brilliant, brilliant. But that was just a one night you see, about the first time we'd done it. In Atlanta, the Peachtree Plaza, lovely hotel it is... That's the only small club we've ever done.

Do you think that may happen again?
Brian - Ah I don't know, you never know. I'll tell you, you never know with the boys, they always pull out some surprise every time they go on tour.

Geordie II played a similar set that night at Heaton Buffs, this time in front of an older, "working man's" crowd. It was quite bizarre to see the audience present in that room, but the band was at ease there too and delivered a great set, and I got another 15 seconds of fame that night too!

Before returning home Brian recorded 2 tracks with Geordie II that will be released on a Northeast England Compilation album. More details on that elsewhere on this page. Plans for Geordie II now? Well there's been talks (read well, TALKS, no firm plan, don't start asking for dates!) about a similar club tour in Brian's state of Florida at some point. Brian most certainly enjoyed this and this will probably happen again in the future. We'll keep you posted of course.

»» Check the GEORDIE II Photo Gallery here

»» Check GEORDIE's complete discography from the Discography Database

Special thanks to Dave Robson & the Geordies, Brian, Brenda, Terry, Cam, Allan, John, Alex, & the British fans!

   

 

© Arnaud Durieux. May not be reproduced without permission.